Why I Want a Traditional Publisher and Presentation on Bookstore Shelves

It’s no secret: these days a lot of writers are self-publishing, or going completely digital. We live in an age when anyone can publish anything, if they have the money or right online venue. I “publish” my writing on wordpress, although most of it is informal, stream-of-consciousness writing reminiscent of the incessant journaling I used to do. There are also sites like fictionpress.net, Fanfiction.net’s counterpart for original work. I considered once posting there, but I hesitated because of many literary magazines’ requirement that work cannot have been previously published, including online.

With the plethora of options available, and the reported increasing difficulty for new authors to be picked up by traditional publishers, it might make most sense for me to self-publish with one of these online companies. At some point in the future, it is highly likely that I will end up self-publishing some of my work. But for now, I continue to hold the dream of having physical printed copies of my work on a shelf in a real bookstore.

Why? There are a few points here.

These days, printing services for self-published works are actually getting much better, and although you can still generally tell the difference, the quality can be on par with traditionally published copies. You, the author, might have to work a little harder to make that happen, but it’s possible, and that’s great. That means that the packaging itself is not the problem.

One of the big considerations is marketing. From what I’ve heard and read, even if you’re working with a traditional publishing house, you will have to do at least some self-promotion if you want to get anywhere. However, they have a marketing department for a reason, and that reason is to promote the books they print. Self-marketing is not my strong point, mostly due to constantly fluctuating but ever-present levels of insecurity. It’s also partly because we’re constantly told that bragging is uncouth, and self-promotion feels very much like bragging. Being polite and “oh, if you feel like it…” about the whole thing gets you nowhere, but being loud and out there can make you seem either arrogant or deluded. It can be difficult to strike the balance and put out just the right level of confidence.

Author royalties are often much higher with self-publishing platforms, but of course the total made depends on the total sold, for which marketing can be a big help. That is most true in the beginning, I think. If you’ve written something really good, entertaining, useful, etc., then once a good number of people have read it, word of mouth can start to gain a wider audience. That means that getting the first 10, 100, 1,000 people to read it can be the hardest. I’d be crossing my fingers and hoping that I would sell enough copies to at least return to me the cost of hiring an editor. Putting out a non-edited work is just a bad idea, and it’s very difficult for a writer to be their own editor. You really do need external eyes sometimes to spot those things that might be bringing your writing down. A publisher would provide that, all bundled into the services they give their authors. Hiring a freelance editor for self-published work means that you get to choose your editor, which could be either a good or a bad thing.

These are good points, the things that I would imagine most writers consider when thinking about self-publishing. But now we’ve come to that one thing, the main reason I really want a traditional publisher, and it has to do with bookstores. (I think this merits a good “why we need brick-and-mortar bookstores” post, but I’m sure I’ve made at least one in the past, and there are many good posts on this out there…)

One of the biggest struggles for self-published authors can be trying to get their books into stores. Most larger stores (which, aside from Barnes and Noble, are all gone, right?) won’t consider anything that they can’t get right from their distributors, and even many independent stores won’t take the risk. From what I can tell, most self-published authors just sell online, and of the ones that do get books in stores as well (I couldn’t name one), internet and most likely ebook sales are where they make the most money.

I don’t want to imply that this is actually a bad thing. Maybe as time goes by I’ll be more accepting of the large-scale changes in how people read, and I won’t care that paper books are more or less a novelty as long as my content gets out into the world, to readers, in any form. …Maybe.

With a traditional publisher, it is much more likely that I’ll be able to see a copy of a book I wrote on a shelf in a real live bookstore. I want this to happen mainly, I think, because of how I experienced bookstores when I was younger. I loved reading as a child, and spending time in bookstores was something I did fairly often. Call me old fashioned if you will, but I find it’s so much harder to connect with a book when the pages are contained in a screen. Picking up a volume, actively turning pages, the texture of the cover, can be a very meaningful part of reading. As the technology develops, that privilege is taken away from both children and adults, and I think it’s unfair. Someday, when I have a book published, knowing that someone can find my book by taking it off the shelf and actually holding it in their hands will be reassuring. That is how I discovered many books. It’s how I hope to discover many more. And even though the convenience of e-readers is taking us farther from that, I can’t be the only one who feels this way.

 

Have You Read Anything by China Mieville?

If you haven’t heard of China Mieville, he’s a current, very creative fantasy author. I’m not sure how his work is classified by others. I suppose they probably call it dystopic fantasy, or something along those lines. Certain books, such as Iron Council, which I am currently reading, also falls into the steampunk category – perhaps not for steampunk purists, but who would want to be one of those?

At this point I’m not even sure how I could summarize the plot of this book. I’m only about a third of the way through. Revolution/liberation/rebellion seems to be the major theme. I’m sure there are summaries that can be found in various online locations. If you are interested in reading more about it, a simple search will probably turn up quite a few things.

What I really like about Mieville is his incredibly unique vocabulary of images. He has quite the imagination and describes the characters and scenery rather vividly. Visually, his stories are not like any others I have read. In addition, his language is impressive. He creates concepts and words for his worlds, and does not explain them when they are introduced. The further you read, the clearer the picture becomes of these strange things.

Have you read any of his books? What do you think of them?

Newest Blog Addition!

In the second column, under “Pages,” find my in-progress author bio! I was intending to write something about the forms my writing usually takes, but I decided to revisit it later. For now, I like the way it came out. Check it out, please!